This paper will review questions relating to
Michael Moore's genesis film "Roger & Me". It is written with comments from people whom Moore worked for and with. It
is written from documented sources from people who were there, knew the true story and have sterling credentials.
Where did Moore originate? What
dues did he ever pay and was he ever on the firing line like the genuine Flint blue-collar activists were? Was he an unsuccessful
small liberal magazine writer who meandered around on the coat tails of the " Flint activists"? What is his knowledge and
credibility based on and what are his credentials?
"If" Moore was the rebel leader
that he suggests how many rallies, demonstrations and conferences did he organize, lead and conduct like the "actual" blue-collar
Flint worker activists who put the cause above themselves and worked in a selfless way to protect America's jobs, workers
and the communities in which they live?
Was "Flint" the base for Moore to
claim as home because the worker activist's home base was Flint and they had already educated Flint with countless hours of
TV/radio & press coverage over a period of many years?
Was Moore a leader of people or
was he a "single" fringe opportunist using other people's genius, hard work and ideas to garner the support of a concerned,
and therefore gullible middle-class to enrich him and promote his liberal agenda? Did he deliberately exploit the very people
that he alluded to be concerned about?
Did Flint and its people benefit
because of Flint's connection to Moore or was it Moore who was enriched because of his connection to Flint?
There was vast press coverage on
this issue post Roger & Me and the conclusions were quite similar. While there could "easily" be much more said, for a
brief overview we will review just a few comments in this paper.
While reading this particular Moore
paper please consider the "content", "timeline" and "issues" of the Westfall committees work on this site relative to the
PHIL DONAHUE SHOW + [excerpts & comments]... 1/29/1990
On January 29, 1990 Phil Donahue
brought his nationally televised show "Donahue" to Flint's Whiting auditorium to interview Michael Moore on Moore's runaway
hit "Roger & Me".
Donahue said… ''This is Flint,
Michigan and if you haven't been here you're missing the whole industrial story of America's heartland.''
Donahue talked briefly of Flint's
job loss and the boarded up stores.
Donahue stated… ''Your city
is subject of a film which everybody is talking about. It no doubt will be the most talked about movie of 1990 and I am pleased
to present its creator, producer, director and star. Here is your native son, Michael Moore.''
[Donahue went on how in Moore's
film that Moore was unable to meet G.M. CEO Roger Smith. Actually, Moore did talk to Smith at two G.M. stockholders meetings
and Westfall got him into both meetings. Westfall would take a group of his people to these stockholders meetings to demonstrate,
confront the G.M. C.E.O. and make known the workers and communities concerns. Moore went with Westfall…twice.]
Donahue to Moore "Tell what message
is embodied in your film?"
Moore replied… ''It's …we're
all working harder to make less. There is no such thing as job security''
''And it's a story that doesn't
get told. And I'm- actually, I'm very glad that now we have a chance to tell our story''
[Check the timeline and content
of the Westfall papers on this site relative to Moore and his film. Actually, it wasn't Moore's story and it was not Moore
who was losing his job security or who was working harder. It was America's blue-collar workers and the story had already
gotten out by these hard working activists who were actually losing their jobs. The Flint activist workers had through years
of intensive hard dedicated work been doing the grunt work nights, holidays and weekends to bring a national awareness to
the issues. It was Moore, however, who claimed himself as the Don Quixote, as stated by Jim Musselman.]
Donahue went on…" but you
got a lot of help from-and under way here in Flint, among others, Mike Westfall, a proud UAW member, Jim Musselman, an attorney
drew up the idea for the film about what was happening here"
Moore…''Oh, that's not true,
Oh, they lied.
Donahue…" they worked hard
on …they fought General Motors''
Moore… ''No, No''
[Jim Musselman spent years in Flint
as an attorney from Ralph Nader's Washington office and he was a dedicated and genuinely concerned American who worked very
hard on the issues that Moore was now proclaiming on national television as his own exclusive domain.]
Donahue… "Please let me finish
Mike. You do get to speak"
Donahue…"back in 1985; Ralph
Nader and a few of his people who work for him were challenging General Motors publicly on their attempt to get tax rebates.
The idea for a film came up it was drawn. Interviews were made with people in the union, and others-real solid citizen types
doing in the trench work. And those people suddenly disappeared from the film. The film suddenly became Roger & me-"ME…
Michael Moore' and you shouldn't be surprised that there is a little disappointment".
Donahue…"and here you come
saying ''Ralph is very upset now because when cable news network and the New York times want a quote about G.M. they call
Michael Moore, not Ralph Nader".
Donahue…" Michael, this is not classy, Mike".
THE FLINT JOURNAL [excerpts + comments] ... 1/31/1990
…In the January 31, 1990 Flint
Journal article titled 'MOORE MISTAKEN' written by Ed Bradley, Ralph Nader said ''no attorneys of mine delivered a statement
of support to Phil Donahue [for Moore].[Before the Donahue show Moore apparently had insinuated that a Nader attorney had
sent a letter of support and he also had a statement criticizing Jim Musselman]
Jim Musselman said…
"He was not trying to take credit for anything because the ideas in question were Nader's and Westfall's".
Nader said… ''Musselman did
tremendous work out there in Michigan .He doesn't take credit for things he doesn't do''
[Westfall has always stated that
Jim Musselman had a genuine heart for working Americans and a real sense of fairness and honesty. Musselman worked hard on
the issues in Flint.]
Bradley said Musselman told newspapers
that Moore claimed too much credit for the film, and that the ideas for what became "Roger & Me came from Flint area union
activist Michael Westfall. Musselman said the movies format--a search for G.M.'s Roger Smith--was modeled on a book co-written
by Nader about corporate executives''
[The book was titled 'THE BIG BOYS' and Nader did not use Michael Moore, but rather Michael Westfall as a reference
for the book. The reason for this was Westfall's activist work on the issues and his confrontations with G.M. C.E.O. Roger
Smith. Westfall was mentioned in "The Big Boys" book introduction credits. Nader came to Flint at Westfall's invitation and
did press conferences and radio shows with Westfall. ]
Variety [excerpts & comments] 1/23/1990
On January 23, 1990 Daily Variety,
which is the magazine of the entertainment industry, stated ''Two of Westfall's associates, former associates with whom Moore
had also worked, James Musselman and Nader himself last week attacked Moore and his film in a New York Times article [Jan.19]''
[Jim Musselman was upset when he
learned that Westfall was eliminated from Moore's film when Moore had a change of heart and decided to change the entire premise
of the film to be a Michael Moore story rather then the true story of Flint and G.M.]
Variety stated … ''Musselman
said he and his colleagues are angry that Moore has unfairly portrayed himself in Hollywood and the media as a ''Don Quixote''
who single handedly forwarded opposition against G.M. and its chairman Roger Smith, when they and others aren't being given
credit for work they've done''
Variety went on…''That Moore
is to receive $3 million from Warner bros. for distribution rights to ''Roger'' and he admittedly had never in his life made
more then $17,000 a year.''
[Any royalties that the activist
workers would have gotten for their film would have gone back to the communities to help with the displaced worker problems.]
''Musselman told Daily Variety that
in 1985 he gave to Moore, Westfall's proposal for a 90 minute film the G.M. auto worker intended to make at the time.'' ''He
said he was looking to get Moore's input on the proposal for a film Westfall was looking to produce in collaboration with
Nader and a New York film producer.''
''Westfall said at Moore's request
he personally delivered him ''literally hundreds of pages of research materials and irreplaceable internal documents '' that
he [Westfall] had compiled for the making of his own film and were never returned by Moore."
[The article mentioned that Westfall
headed up several grassroots groups over the years dealing with corporate restructuring and its impact on job loss and that
he published monthly newsletters full of material and issues. Westfall also wrote major pilot proposals for the International
U.A.W. dealing with retirement issues and national health insurance.]
''Westfall is further attacking
the credibility of ''Roger'' as a documentary, criticizing Moore for painting an ''unfair, inaccurate'' portrait of the citizens
of Flint and for rearranging the chronology of events that occurred in that town during the 1980's.''
[Others including an unidentified
member of the Academy's Documentary Committee have recently challenged Moore about his reordering the historic sequence of
events that appear in ''Roger''. It is an interesting footnote that while Moore was busy defending his credibility that Warner
Brothers was outraged at the large amounts of negative press he was getting]
The Saginaw News [excerpts and comments] 2/3/1990
Saginaw News writer Chris Thompson
said "Roger & Me "would not have met the criterion of the whole truth and nothing but the truth if it were a courtroom
Thompson said Michael Westfall was
a G.M. union activist that has done films and seminars and led several groups.
Westfall said…"We had major
plans back in 1985 to do a movie. "We wrote a proposal. One big difference is the money was to go back to the community...every
dime of it.'' Westfall alluded to Moore who said on the Monday show that much income from the film would go to finance similar
movie projects, laughing off suggestions that profits go to his hometown.''
Westfall said, ''I've taken on Roger
Smith on the floor of the stockholders meetings on topics such as outsourcing ''he [Smith] answered me ...although he didn't
like what I said I've written him letters and he [Smith] has replied to every one".
Our movie was not to be a “malicious
comedy farce” promoting Michael Moore at Roger Smith's, General Motors and the U.A.W.'s expense. It was to be a serious
movie, intelligently sounding an alarm and targeting the many problems by thoughtfully telling the honest story of the suffering
of America's workers and their family's due to the horrific price of Middle American job loss due to corporate restructuring…
The story never got told.
Unlike Moore, we were blue-collar
activists who worked for these companies. We cared and were not out to destroy the companies that supported us, or the unions
that represented us. Our mission was to "change the direction of bargaining", which we did, and "raise major societal questions
as to how these companies were being directed", which we also did.
The money made from our film was
not going into our pockets like the millions of dollars from Moore's film went into his. Our films profits were going back
to our suffering communities and the families of workers who were losing their jobs because that was where it belonged and
that was the right thing to do.
Moore's movie was about himself.
It was a self-promoting film exploiting America's workers plight. It was designed to make money, build a career and garner
acclimation and name recognition for Moore…. which it did, but at what price?
In reality Moore's film genuinely
hurt workers, their families and our communities because he made a vulgar joke of America's workers very serious dilemma while
sidetracking and gliding over the critical issues. Moore was not a blue-collar worker, he did not understand and he obviously
had a different agenda. The last thing on a worker's mind, whose job was slotted for export, wasn't becoming a rich and famous
celebrity it was feeding and supporting their family. Hurting people should not be used as movie pawns. We would never have
made fools of working people to make a movie. You just don't do that to people you care about.
Interestingly when Moore came out
with "Roger" and garnered the spotlight and all the incredible attention and popularity that celebrities get, he turned on
us activists in the national press and we lost a great deal of our support. The public actually believed that Moore was the
one championing their plight and his comment's towards us hurt our work tremendously.
Since then auto workers jobs as
well as other middle class jobs across our great nation have been decimated.
In the end Moore didn't go down
with the ship because he was never on the boat. H e was never on the boat because he was never really one of us.
Prior to "Roger and Me" Moore was
a writer of a small magazine in Davison, Michigan.
It has been said Moore became confused
with what his role was as a writer and the role of the actual Flint activist workers he saw, so he decided to become the "Flint
Don Quixote" and subject of his own story to see if America would believe it…and they did.
Moore may have wanted to be a blue-collar
rebel but some believe he was really a very confused white-collar writer. It mattered not…to Hollywood.
Many selfless people worked on these
issues in Flint and the surrounding areas during those years and their work was a real slice of Americana at its best. There
were hundreds of loyal workers who were not looking for stardom and spent all of their effort and time working on the issues.
There were also many genuinely concerned churches, politicians, union leaders, media and fine people from academia from all
over the country working with the "real deal" worker activists.
One of the true heroes and hard
workers from those years was Jim Musselman who was a staff attorney at the "Center for the Study of Responsive Law" in Washington
and he was sent to Flint by Ralph Nader to work for several years.
Musselman and Westfall worked closely
together for many years. Musselman also worked closely with Moore.
Musselman was not afraid and had
the integrity to tell it like it happened.
Musselman stated that Moore had
gone too far and had lied about everything from the chronology of his own life to where the original ideas for Roger &
Me came from.
Musselman said that Moore did not
even know he could attend a G.M. stockholders meeting until Westfall got him in………TWICE!
Musselman said that he had become
a friend of Moore's who in 1988 was beginning work on a film called "Dance On The Titanic" which was totally changed to Roger
& Me and that Moore's ego was getting in the way of a very powerful film, yet Musselman said that Moore assured him that
proper credit would be given to Westfall.
Musselman said that in March 1989
after his expressing some concerns in the film that Moore stated everyone would know that Mike Westfall had many of the original
ideas in the film. The film took off and Moore appeared in interview after interview lying about the true story, how he got
the whole movie idea from Mike Westfall in Westfall's original film proposal and how the proceeds from Westfall's film proposal
were to all go back to help the displaced workers.
Musselman stated ''if he
had only told the truth he would have had a far more powerful but accurate film. No one can understand why he has to lie".
http://westfallmike.tripod.com/rbsmith.htm Roger Smith Letter 6-24-1985
http://westfallmike.tripod.com/rosenblum.htm Nina Rosenblum Letter 10-01-1985